Lydia Ayers (1952-2022) was a composer, flutist, educator, and puppeteer. Starting in 1996, she permanently resided in Hong Kong, where she taught at the Hong Kong University of Science and Technology.

Predominantly working in Csound on the NeXT computer, Lydia Ayers composed computer music with unlimited just intonation, re-creating numerous Indonesian, Native American, Australian, and Chinese instruments digitally. She also wrote acoustic music, including over 30 solo and ensemble works for flutes. Ayers performed on a wide range of flutes from various cultural traditions, utilizing extended vocal and woodwind techniques: quarter tones, multiphonics, buzz tones, and other unusual flute timbres.
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Waveform Audio - 11.4 MB - MD5: 6971bb59a0682b05d75c18d866cd2342
Waveform Audio - 8.5 MB - MD5: a79959fd288cddc8b82b623c7b14d401
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Waveform Audio - 52.2 MB - MD5: 7cd1d5e39a59281af4b668dd2e876602
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Adobe PDF - 12.4 MB - MD5: e1e254db031b30034460c28369519321
Adobe PDF - 17.4 MB - MD5: 48ba8a5275b0639788764193307ee3a2
Oct 9, 2024
Ayers, Lydia, 2024, "Theme and Improvisations for Woodstock Gamelan", https://doi.org/10.14711/dataset/YW31AA, DataSpace@HKUST, V1
Improvisations using quasi-Balinese themes.
Waveform Audio - 50.5 MB - MD5: a847004ba916757194d0725f977450a7
Oct 9, 2024
Ayers, Lydia, 2024, "The Chalky Desert Where Nothing Grows", https://doi.org/10.14711/dataset/ZPCYSV, DataSpace@HKUST, V1
The title, The Chalky Desert Where Nothing Grows jumped out of a sentence in an environmental magazine and inspired me to write this piece, which has the character of the subtle shimmer of the heat of the desert and motion within motionless. The magazine article referred to the d...
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